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A-1 THE KENNEL
Brush and ink on scratchboard, originally published as illustration
for "The Kennel" by Maurice Level in Sleep No More, edited
by August Derleth, New York, Farrar & Rinehart, 1944. |
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A-2 WEIRDISMS Brush and ink on scratchboard, originally published as illustration
for Weird Tales, Vol. 41, No. 3, March 1949. |
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A-3 OLD MARTIN rush and ink on scratchboard, originally published as illustration
for " Old Martin" by A.E. Coppard in Who Knocks?, edited
by August Derleth, New York, Rinehart, 1946. |
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A-4 SLEEP NO MORE Brush and ink on scratchboard, unpublished, originally intended
to illustrate Sleep No More, edited by August Derleth. |
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A-5 THE OCCUPANT OF THE ROOM Brush and ink on scratchboard, originally published as illustration
for "The Occupant of the Room" by Algernon Blackwood in Sleep
No More, edited by August Derleth, New York, Farrar & Rinehart,
1944. |
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A-7 ART OF BUNDLING Brush and ink on scratchboard, originally published as illustration
for The Art of Bundling, edited by Dana Doten, New York,
Farrar & Rinehart, 1938. |
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A-8 NIGHT WITH HECATE Brush and ink on scratchboard, originally published as illustration
for "A Night with Hecate" by Edward W. Ludwig in Fantastic Magazine,
Vol. 12, No. 10, October, 1963. |
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A-9 BOOK OF JONAH Brush and ink on scratchboard, originally intended as illustration
for The Book of Jonah, 1933, unpublished. |
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A-10 DISPUTE Brush and ink on scratchboard, originally published as illustration for The Seventh Ogre, adapted & illustrated by Coye, Cortland, NY, Printing House of Leo Hart, Rochester, N.Y., 1932. 6 ¾" high by 7 ¼" wide. |
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A-11 CAVEMAN Brush and ink on scratchboard, originally published as illustration for The Seventh Ogre, adapted & illustrated by Coye, Cortland, NY, Printing House of Leo Hart, Rochester, N.Y., 1932. 6½" high by 6½" wide. |
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A-12 HOUSE OF NIGHTMARE Brush and ink on scratchboard, originally published as illustration for "The House of Nightmare" by Edward Lucas White in Who Knocks?, edited by August Derleth, New York, Rinehart, 1946. 10½" high by 6¾" wide. |
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A-13 DINNER Brush and ink on scratchboard, unpublished, originally intended to illustrate Knickerbocker History of New York, 1945. 9 ¾" high by 7 ½" wide. |
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A-14 EXTRA PASSENGER Brush and ink on scratchboard, originally published as illustration for "The Extra Passenger," by Stephen Grendon (pseudonym used by August Derleth) in The Night Side, edited by August Derleth, New York, Rinehart, 1947. 10" high by 5 1/2" wide. |
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A-15 NIGHT SIDE - #1 Brush and ink on scratchboard, originally published as illustration
for The Night Side, edited by August Derleth, New York,
Rinehart, 1947. |
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A-16 THE NIGHT WIRE Brush and ink on scratchboard, originally published as illustration
for "The Night Wire" by H.F. Arnold in The Night Side,
edited by August Derleth, New York, Rinehart, 1947. |
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A-17 PHANTOM FARMHOUSE Brush and ink on scratchboard, originally published as illustration for "Phantom Farmhouse" by Seabury Quinn in Who Knocks?, edited by August Derleth, New York, Rinehart, 1946. 10½" high by 6¾" wide. |
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A-18 THE WOMAN AT 7 BROTHERS Brush and ink on scratchboard, originally published as illustration for "The Woman at Seven Brothers" by Wilbur Daniel Steele in Who Knocks?, edited by August Derleth, New York, Rinehart, 1946. 10½" high by 6¾" wide. |
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A-19 HELPER & THE LOBSTER, SEVENTH OGRE 2 Brush and ink on scratchboards in one frame, originally published as illustrations for The Seventh Ogre, adapted & illustrated by Coye, Cortland, NY, Printing House of Leo Hart, Rochester, N.Y., 1932. Each is 2½" high by 6" wide. |
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A-20 THE WILL OF CLAUDE ACHUR Brush and ink on scratchboard, originally published as illustration for Weird Tales, July 1947. 10½" high by 3¾" wide. |
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A-21 TSANTA IN THE PARLOR Brush and ink on scratchboard, originally published as illustration for Weird Tales July 1948. 6" high by 6 3/4" wide. |
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A-22 THREE MEN Brush and ink on scratchboard, unpublished, originally intended to illustrate Knickerbocker History of New York, 1945. 12" high by 7 ½" wide. |
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A-23 AN APPARITION Brush and ink on scratchboard, originally published as illustration for "An Apparition" by Guy de Maupassant in Fantastic Magazine, March 1963. 10 1/2" high by 7" wide. |
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A-24 THE KITCHEN BOY Brush and ink on scratchboard originally published as illustration for The Vicar of Azay-Le-Rider, by Honoré de Balzac, Syracuse, NY, Braeside Press, Dec. 1937. 4 ½" high by 1 ½" wide. |
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A-25 MADISON HALL, Circa 1880. Oil painting. 1965. Madison Hall (formerly the courthouse) in the center, sheriff's residence and county clerk's office, Morrisville, NY. 4 feet wide by 2 feet 4 inches high. |
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A-26 MOBY DICK Woodcarving of whale. 1965. Approximately 35 inches long by 17 inches high by 9 inches wide. Wood is sugar pine, a tree found on the west coast of the United States. |
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A-27 WEIRD TALE COVER Oil painting. Color. 1948. 18" high by 14" wide. |
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A-36 SALINA ST. AT JEFFERSON ST. Pencil sketch. Date unknown. 14" high by 28" wide. |
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A-55 WHITE ROOSTER Brush and ink on scratchboard, 1965. 13" high by 9 3/4" wide. |
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A-121 NIGHT SIDE Ink. 1947. Dust Jacket for The Night Side, edited by August Derleth, New York, Rinehart, 1947. 18" high by 14" wide. |
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A-125 THIRD SISTER Ink drawing. Originally published as illustration for "Third Sister" by Arthur Porges for Fantastic, January, 1963. 12½" high by 8½" wide. |
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A-126 HERITAGE Brush and ink on scratchboard, originally published as illustration for "Heritage" by E.J. Derringer for Fantastic Magazine, December, 1962 . 9" high by 10" wide. |
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A-140 WHITE STRUCTURE #1 Large metal sculpture mounted on stone base (76 inches by 26 inches by 4 inches), 1967. On Upper level of library. |
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A-141 WHITE STRUCTURE #2 Large metal sculpture mounted on stone base (96 inches by 26 inches by 4 inches), 1968. On main level of library. |
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A-166 OSWEGO'S MAIN DRAG Pencil sketch. Date unknown. 14" high by 28" wide. |
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A-191 CHESS SET, ONYX |
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A-218 NAHUM GARDNER PLACE Brush and ink on scratchboard, originally published as illustration
for "The Colour Out of Space " by H.P. Lovecraft in 3 Tales
of Horror, edited by August Derleth, Sauk City, Wis., Arkham
House, 1967. |
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A-220 A PORTION OF ARKHAM Brush and ink on scratchboard, originally published as illustration
for "The Thing on the Doorstep" by H.P. Lovecraft in 3 Tales
of Horror, edited by August Derleth, Sauk City, Wis., Arkham
House, 1967. |
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A-221 MIDNIGHT EXPRESS Brush and ink on scratchboard. 10" high by 5 1/2" wide. |
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A-222 MISCELLANEOUS DRAWING Ink, 1944. 5¾" high by 4¼" wide. |
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A-223 THE BLACK STONE Brush and ink on scratchboard. 9 1/2" high by 5 3/4" wide. |
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A-224 THOSE FIGURES SEEM SO SILENT & FURTIVE Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth, Arkham
House, 1967. |
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A-225 AND THE WHIPPORWILLS PIPED Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth, Arkham
House, 1967. |
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A-226 EPHRIAM WAITE Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth, Sauk City,
Wis., Arkham House, 1967. |
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A-227 SKETCH FOR KNICKERBOCKER HISTORY OF N.Y. Pencil. 6 ¾" high by 7 ½" wide. |
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A-228 WILBER WHATELEY Brush and ink on scratchboard, 1967. 13" high by 8" wide. |
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A-230 THREE SERVANTS Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth,Sauk City,
Wis., Arkham House, 1967. |
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A-231 GREAT EMPTY SHELL Brush and ink on scratchboard, originally published as illustration
for "The Great Empty Shell" by H.P. Lovecraft in 3 Tales of
Horror, edited by August Derleth, Sauk City, Wis., Arkham House,1967. |
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A-232 BEINGS THEY ARE GOING TO LET IN Brush and ink on scratchboard, originally published as illustration
for "The Dunwich Horror" by H.P. Lovecraft in 3 Tales of Horror,
edited by August Derleth, Sauk City, Wis., Arkham House,1967. |
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A-233 AMNI PIERCE PLACE Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth,Sauk City,
Wis., Arkham House, 1967. |
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A-234 CRADLE Brush and ink on scratchboard, originally published as illustration for The Art of Bundling, edited by Dana Doten, New York, Farrar and Rinehart, 1938. 5" high by 8" wide. |
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A-235 ASENATH Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth,Sauk City,
Wis., Arkham House,1967. |
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A-236 AMERICAN INTERIOR Woodcut print, No.1 of 100, 1954. 9" high by 10 1/2" wide. |
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A-237 PRIVY 1930 Woodcut print, 1930. 4 1/2" high by 3" wide |
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A-238 TAVERN 1930 #1 Woodcut print, No. 1 of ?. 1930. 4¾" high by 7½" wide. |
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A-239 THREE FIGURES Woodcut print, 1930. 4¾" high by 1 ½" wide. |
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A-240 ONE FIGURE Woodcut print, 1939. 4 ½" high by 2 ½" wide. |
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A-241BOOKPLATE Woodcut print, 1930. 4" high by 3" wide. |
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A-242 UNTITLED 2 small woodcut prints in one mat. Signed under mat. 1932. Each approx. 1½" high by 1" wide. |
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A-243 OLD STREET Woodcut print. Color, 1932. 4½" high by 3¼" wide. |
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A-244 FREEDIE. Woodcut print,1954. 6 ¼" high by 2 ½" wide. |
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A-245 Buildings Woodcut print, 1930. 4 3/4" high 3 1/2" wide. |
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A-246 STUDENT Woodcut print, 1929. 2" high by 2" wide. |
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A-263 LESSON DIMICK Woodcut print, 1940. 6 1/2" high by 3 1/2" wide |
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A-264 UNIVERSALIST CHURCH Woodcut print, 1932. 6¼" high by 3¾" wide. |
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A-265 SIDE OF A HOUSE Woodcut print, No.1 of 100, 1954. 6 ¾" high by 6 ¾" wide. |
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A-266 FREEDIE BY THE OLD HOUSE Woodcut print, No.1 of 100. 1954. 5 ¼" high by 6 ½" wide. |
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A-267 TAVERN #2 Woodcut print, 1930. 4" high by 4½" wide. |
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A-268 FREEDIE NO.1 Photograph. 1954. 9½" high by 13" wide. |
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A-270 FREEDIE NO.3 Photograph. 1954. 9½" high by 13" wide. |
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A-271 FREEDIE NO.4 Photograph. 1954. 10 1/2" high by 11 1/2" wide. |
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A-274 FREEDIE NO.7 Photograph. 1954. 9½" high by 13" wide. |
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A-275 FREEDIE NO.8 Photograph. 1954. 9½" high by 13" wide. |
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A-276 FREEDIE NO.9 Photograph. 1954. 10 1/2" high by 11 1/2" wide. |
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A-277 FREEDIE IN A WHITE STRUCTURE #1, Photograph. 1954.9½" high by 13" wide. |
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A-278 FREEDIE IN A WHITE STRUCTURE #2 Photograph. 1954. 9"high by 13" wide. |
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A-279 WHITE STRUCTURE Photograph. 1954. 10 1/2" high by 11 1/2" wide. |
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A-280 STONE FRONT Photograph. Date Unknown. 9" high by 13" wide |
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A-281 HILLSIDE WITH SNOW Photograph. 1954. 9"high by 13" wide. |
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A-282 SIDE OF A HOUSE #1 Photograph. 1954. 9"high by 13" wide. |
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A-283 SIDE OF A HOUSE #2 Photograph. 1954. 9"high by 13" wide. |
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A-285 PRIVY Photograph. 1954.10" high by 13" wide. |
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A-286 BARN SIDE Photograph. 1954. 9"high by 13" wide. |
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A-287 CORNER OF SOUTH SALINA & EAST GENESEE ST., SYRACUSE, NY Photograph. 1954. 10"high by 13" wide. |
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A-288 THE WELL Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth,Sauk City,
Wis., Arkham House, 1967. |
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A-289 ENDPIECE, Brush and ink on scratchboard, originally published as illustration
for 3 Tales of Horror, edited by August Derleth,Sauk City,
Wis., Arkham House, 1967. |
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A-290 MY UNCLE'S HOUSE Woodcut print, 1930, 5"high by 7¾" wide. |
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A-291 SIGNATURE Woodcut print, 1954. 4" high by 5 1/2" wide. |
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A-411 WICHWIRE HOUSE, CORTLAND, NY Woodcut print, 1941. 5½" high by 4½" wide. |
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A-412 NIGHT TRAIN Woodcut print, 1940. No.10 of 100. 4 ½" high by 5" wide. |
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A-413 JAMES STREET Woodcut print, 1941. No.19 of 100. 5½" high by 4½" wide. |
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A-420 TRIAL PROOF (SOLDIER) Woodcut print. Date Unknown. Unfinished block. 4½" high by 3½" wide. |
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A-421 TRIAL PROOF #1, Goya Etching Etching. Date Unknown.5½" high by 4½" wide. |
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A-423 TRIAL PROOF #2,Goya Etching Etching. Date Unknown.5½" high by 4½" wide. |
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A-424 RAILROAD TRESTLE Woodcut print.1941. No.16 of 100. 5¼" high by 5¾" wide. |
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A-600 DUST TO DUST Tempera on Board. 1945. 24 1/2" high by 27 1/2" wide. Conservation and restoration care by Carolyn Heery Berry, October 1998. |
Library, Morrisville State College of Agriculture and Technology, P.O. Box 902, Eaton St., Morrisville, NY 13408
Phone: 315-684-6055 Fax: 315-684-6115
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Maintained by John Schuster. E-mail: schustjh@MORRISVILLE.EDU
Morrisville State College is a unit of the State University of New York